Derrygonnelly Poltergeist
The raps in the Fermanagh cottage (1877)
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Derrygonnelly(Ireland)⇄ Cultural variants (1)
Same archetype
Other readings of Bell Witch
The Derrygonnelly cottage
The case broke out in 1877 in a farm cottage stranded some seven miles beyond Enniskillen, past the hamlet of Derrygonnelly in County Fermanagh. William Fletcher Barrett, who went there, called it one of the loneliest spots in the country: sunk in the hollow of a field, with no other house in sight, the bog stretching before it and the limestone cliffs of Knockmore behind. It held a grey-headed farmer who had just been widowed (his wife had died a few weeks before Easter that year) together with four daughters and one boy; the youngest was about ten, the eldest, Maggie, about twenty. The noises began once the girls had gone to bed in the room off the kitchen, and went on night after night. The family blamed rats at first. They stopped blaming rats when objects began to move on their own.
The torn Bible and the stolen candles
The repertoire was short and stubborn: raps, scratchings, stones falling inside the house and, above all, candles and boots thrown out of it over and over. What wore the family down most was being left without light, because candles and lamps vanished beyond recovery; they took to keeping them in a neighbour's house and fetching them lit each night. Another neighbour, Jack Flanigan, lent them his own, swearing the devil himself could not steal it since he had got the priest to sprinkle it with holy water; by the next day that lamp had gone too. Being Methodists, they did not send for the priest their neighbours urged on them: their class leader advised laying an open Bible on the bed. They did so, in the name of God, weighting it with a big stone. The stone was found lifted off and the Bible set on top of it; afterwards the book was carried out of the room with seventeen pages torn right across.
Barrett, Plunkett and the Reverend Close
It was Thomas Plunkett of Enniskillen, a student of the county's geology and archaeology then exploring some prehistoric limestone caves nearby, who alerted Barrett. Barrett came, and on the first night had Maggie lie down fully dressed so that her hands and feet stayed in view; the raps sounded all the same on the walls, the ceiling, the chairs and the bed itself, and a large pebble fell onto the bed in front of him. Whenever he set the candle back on the kitchen window-sill the knocks grew louder, like a carpenter's hammer driving nails into flooring. The next day he telegraphed to Dublin for the Reverend Maxwell Close, a man of great learning and one of the earliest members of the Society for Psychical Research, and they went back together. The test that made the case famous came then. The family had already tried the alphabet, but the farmer distrusted it: the thing lied as often as it told the truth, and would only knock at L, M and N. Barrett asked mentally, without a word spoken, for a certain number of knocks, and got exactly that number. Then he put his hands in his overcoat pockets and asked it to knock the number of fingers he held open: it was right four times running, with a different number each time.
The ending, and what legend added later
On the last night the farmer begged them not to leave without ridding him of the thing. Barrett asked Close to read a few verses and offer a prayer. At first the knocks drowned his voice; they subsided as he prayed, and when everyone joined in the Lord's Prayer a profound stillness fell on the cottage. According to the letters Plunkett went on sending him, the poltergeist fled that very night and did not return, until some curious visitors who had read the published account turned up at the cottage to provoke it: they said it came back feebly and furtively, though Barrett never knew whether that was genuine or Maggie's wish to please her callers. He told all of this in the Dublin University Magazine for December 1877, under the title The Demons of Derrygonnelly, and summarised it in 1911 for the Proceedings of the Society for Psychical Research, which he had himself helped found in 1882; until then the case had never appeared in the society's papers. It is worth knowing what those pages do not contain, because modern retellings supply it: no family surname appears, there is no ghostly apparition and no figure of a woman or a child, no ropes or scales were used, and the affair did not end in hymns nor drag on to 1879.
Also known as
Relics
Symbology
Element
Rapping and Chaos
Number
7
Color
Misty Gray
Animals
Irish Black Raven, Phantom Black Dog
Sigils:
Traits
Powers
Weaknesses
Behavioral
Resistances
In the Atlas
Travel the beings’ world of origin and the cosmos of their dimensions.
Mythologies
Irish folklore developed from the oral traditions of the Celtic peoples who inhabited Ireland since the Iron Age, with later influences from Christianity after the arrival of Saint Patrick in the 5th century. Its tales collect beliefs in supernatural beings and mythical cycles transmitted in medieval manuscripts such as the Lebor Gabála Érenn. Among the most prominent entities are the Tuatha Dé Danann, a mythical people endowed with magical powers who, according to tradition, were defeated and relegated to the underworld, where they are identified with the fairies or sídhe. The worldview of Irish folklore integrates a landscape animated by spirits, enchanted hills and seasonal festivities such as Samhain, which mark the interaction between the human world and that of the fairy beings. The narratives emphasize the ambivalence of these beings, capable both of granting favors and of causing harm, and reflect a continuity between pre-Christian mythology and later popular practices. This set of beliefs has left a lasting mark on the literature, music and arts of Ireland, influencing authors such as W. B. Yeats and the preservation of festivities and customs that still form part of Irish cultural identity.
Sources
The Demons of Derrygonnelly (Dublin University Magazine)
Sir William Fletcher Barrett · 1877
The first-hand account William Fletcher Barrett published in December 1877, with the events barely over, of the raps in the Derrygonnelly cottage. It is the original source for the case.
Poltergeists, Old and New (Proceedings of the SPR, vol. XXV)
Sir William Fletcher Barrett · 1911
The 1911 paper in which Barrett gathered and compared poltergeist cases, Derrygonnelly among them, summarising it with the test of knocks asked for mentally. Until then the case had never appeared in the society's papers.
Cock Lane and Common-Sense
Andrew Lang · 1894
Andrew Lang's 1894 comparative study of noises and apparitions. It gives several pages to the Derrygonnelly case, including the mother's death shortly before Easter 1877 and Maggie's central role, and sets it beside the Cock Lane ghost.
Frequently asked questions
Who was Maggie, and why is she the key to the case?
She was the farmer's eldest daughter, about twenty, and the noises were heard chiefly near her. Barrett noticed they weakened while she spent the day working outdoors and swelled once she lay down, which gave him his notion of the living radiant point: that the phenomenon depends on a particular person rather than a place. It is why poltergeist cases are now investigated by looking first for their human focus.
What exactly did the finger test prove?
That the raps were not merely obeying spoken commands. Barrett put his hands in his overcoat pockets, where nobody could see them, and asked for as many knocks as he had fingers open; it was right four times running with different numbers. He read this as a sign of telepathic rapport between the unseen agent and those present, and was careful not to offer it as proof of a spirit: he never attributed the case to the supernatural.
Does it have anything to do with the banshee?
Not in the sources for the case. The banshee announces a death with her wailing and is tied to a particular family; here there was no lament, no warning and no death foretold, and no witness mentioned her. The association turns up in later retellings, which tend to Irish-ify the episode by adding folklore Barrett never recorded. It is a good example of how a documented case slowly acquires a tradition that does not belong to it.
Why is the family's surname unknown?
Because Barrett never published it. In both of his accounts he speaks only of the farmer and his children, and the only names he gives are Maggie's first name and that of the neighbour Jack Flanigan. Any surname attached to the cottage today is a later addition with no basis in the original testimony, and versions that state it as known are worth distrusting, since they usually also carry the apparitions and closing dates that Barrett never wrote either.
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