Valac
Valac, the 62nd president of the Goetia
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Origins in Demonological Grimoires
Valac, also known as Volac or Valak, holds the 62nd position in the Goetia hierarchy, a catalog of 72 infernal spirits compiled in the Ars Goetia, part of the Lemegeton or Lesser Key of Solomon, a 17th-century grimoire pseudepigraphically attributed to Solomon. His first documented mention appears in Johann Weyer's Pseudomonarchia Daemonum, published in 1577 as an appendix to his treatise De Praestigiis Daemonum, where he is described as the sixty-second spirit, a powerful president of hell. Weyer, a Dutch physician and demonologist, compiled this list based on earlier circulating manuscripts of Solomonic magic in Renaissance Europe, influenced by Kabbalistic and Neoplatonic traditions. In these texts, Valac is integrated into the Goetic structure as a duke or president, highlighting his role in revealing earthly secrets, reflecting the Renaissance fascination with occult knowledge and mastery over nature. This numerical position and hierarchical ranks underscore the pseudosolomonic systematization of demons, adapted for ritual invocations with specific sigil seals.
Appearance and Form of Manifestation
In the canonical descriptions of the Pseudomonarchia Daemonum and Ars Goetia, Valac manifests as a small child with angel wings, riding a two-headed fire-breathing dragon, an image combining childish innocence with draconic ferocity, perhaps symbolizing the duality of his revealing and destructive power. This hybrid form, with the child representing purity or eternal youth and the dragon evoking ancient mythologies' treasure guardians, underscores his association with hidden secrets and subterranean creatures. The texts specify that he answers courteously to evocators, speaking with a clear and obedient voice, contrasting his monstrous mount. In variant Lemegeton manuscripts like Sloane Ms. 2731, his magical seal is detailed, an intricate pentacle used in invocation circles for control. This visual iconography has influenced later modern occult representations, where he is often painted in Renaissance garb or light armor, emphasizing his presidential status in the infernal court.
Powers, Legions and Rituals
Valac possesses the power to discover buried hidden treasures and reveal the exact location of serpents, both venomous and guardians of wealth, abilities making him an invaluable ally for alchemists and fortune seekers in Goetic tradition. He commands thirty legions of spirits, a modest number compared to greater princes, but sufficient for prospecting and location operations. The grimoires prescribe his invocation on planetary days and hours associated with Saturn or Mercury, using his seal in virgin wax within an evocatory triangle, with offerings of incense and animal blood to ensure obedience. In historical contexts, his serpent specialty evokes Hermetic symbolisms of kundalini or chthonic guardians, while treasures allude to spiritual transmutation. Though obedient, the texts warn of his potential cunning, recommending reinforced protective circles. His legacy endures in contemporary ceremonial magic, invoked for guidance in occult explorations and recovery of lost knowledge.
Also known as
Relics
🏺 Seal of Valac
Symbology
Element
Earth
Number
30
Color
Golden
Animals
Dragon, Serpent
Sigils:
🏷️ Traits
Powers
Weaknesses
Behavioral
Resistances
🗺️In the Atlas
Travel the beings’ world of origin and the cosmos of their dimensions.
📜 Mythologies
Systematic study of demons, fallen angels, and malevolent spiritual entities in Christian tradition, encompassing hierarchical classifications in grimoires like the Lemegeton and Pseudomonarchia Daemonum, exorcism and invocation practices in medieval and Renaissance texts, biblical references to the prince of darkness and infernal legions, influences on scholastic theology, the Inquisition, and later occultism, with practices to discern spirits, combat possessions, and restore divine balance against the forces of evil.
Sources
Pseudomonarchia Daemonum
Johann Weyer · 1577
Catalogue of sixty-nine demons included by Johann Weyer in his work "De praestigiis daemonum" (1577). It describes the infernal hierarchy, its ranks and offices, and is the direct precedent of the Ars Goetia and later Western demonology.
Ars Goetia
Anonymous · 1650
First section of the Lemegeton or Lesser Key of Solomon enumerating seventy-two demons.
The Lesser Key of Solomon
Anonymous · 17th century
Anonymous 17th-century grimoire, also called the Lemegeton, composed of five books (Ars Goetia, Theurgia-Goetia, Ars Paulina, Ars Almadel and Ars Notoria). It catalogues celestial and infernal spirits with their hierarchies, seals and rituals of invocation.
Dictionnaire Infernal
Collin de Plancy · 1818
Demonological dictionary by Collin de Plancy (1818), famous for the illustrations by Louis Le Breton in its 1863 edition. It catalogues demons, superstitions and infernal beings, and popularized the visual image of many entities of goetia.
Frequently asked questions
In which seventeenth-century grimoire is Valac's position within the Goetia hierarchy first documented?
Valac is first documented in Johann Weyer's Pseudomonarchia Daemonum, published in 1577 as an appendix to De Praestigiis Daemonum. The text places him as the sixty-second spirit and a powerful president of hell. Weyer compiled the list from earlier circulating manuscripts of Solomonic magic in Renaissance Europe.
What characteristic physical attributes does Valac present according to the canonical descriptions of the Pseudomonarchia Daemonum and the Ars Goetia?
Valac manifests as a small child with angel wings, riding a two-headed fire-breathing dragon. This hybrid form combines childish innocence with draconic ferocity. The texts specify that he answers courteously to evocators, speaking with a clear and obedient voice, contrasting his monstrous mount.
Why is Valac represented as a winged child on a dragon?
The grimoires do not explain it, and that is precisely the reason for their fame: they describe the image (a child with angel wings mounted on a two-headed dragon) without justifying it. The contrast between the childish figure and the monstrous mount fits with its function, to find what is buried: the child evokes the innocence that accesses the hidden, and the dragon, the guardian of treasures from the ancient myths. The serpent that he locates is, at the same time, the danger and the sign that there is something to guard.
What rank and number of legions does Valac hold within the hierarchy of Goetic presidents established in the Ars Goetia?
Valac holds the 62nd position in the Goetia hierarchy as a president. He commands thirty legions of spirits, a modest number compared to greater princes, but sufficient for prospecting and location operations. This numerical position and hierarchical rank underscore the pseudosolomonic systematization of demons adapted for ritual invocations.
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