Belial
The word that became a prince
Curated byBestiarypediaCreated on
Holy Land(Israel)
Qumran(Israel)A word that meant «without worth»
Belial does not begin as a name. In biblical Hebrew, bĕliyyaʿal is a common noun usually broken down into bĕlî, «without», and yaʿal, «to be of use»: literally «without worth», «worthlessness». Those whom almost every translation calls «sons of Belial» are, in the original, «sons of worthlessness», and «son of» is an ordinary Semitic turn of phrase indicating not descent but condition, exactly as the same Hebrew says «sons of death» for «the condemned». The men who surround the house in Judges 19:22 and those who drag the people into idolatry in Deuteronomy 13:13 are nobody's offspring: they are scoundrels. Other readings of the etymology have been proposed, «without yoke» or «that from which none comes up», which would point to the underworld, and none of them changes the essential point: for centuries the word qualifies people and does not designate a being. The first text to use it as though it were somebody is the New Testament, when 2 Corinthians 6:15 asks what concord there is between Christ and Belial, and there the opposition already requires two persons.
What the grimoires actually say
Belial is the sixty-eighth spirit of the Ars Goetia and the twenty-third of the Pseudomonarchia Daemonum that Johann Weyer published in 1577, seventy years before the former. The two agree and are terse: he is a mighty king, he rules eighty legions, he «taketh the form of a beautiful angel sitting in a chariot of fire», and he speaks with a comely voice. His office is to distribute senatorships, to win the conjurer the favour of friends and foes, and to furnish him with good familiar spirits. And he comes with a condition that is usually left out: he demands offerings and sacrifices, and if they are not given he does not answer truthfully. It is worth stating too what the grimoires do NOT say, because it circulates everywhere attributed to them: there is no spear, no winged dragon spitting fire, no naked man riding a dragon and no team of horses: the chariot goes alone. The horses usually drawn hauling it come from elsewhere, and from somewhere very recognisable, because «chariot of fire» is the exact formula with which 2 Kings 2:11 tells of Elijah's being carried off, and there horses of fire certainly do appear. That a fallen angel should turn up in the vehicle of the ravished prophet is, in all likelihood, the point of the detail. Of the angel there is one in Weyer and in the older English manuscripts, and two in the edition S. L. MacGregor Mathers published in 1904, which is the one almost everyone reads and the source of the formula «two beautiful angels».
Milton makes him the eloquent coward
In «Paradise Lost», published in 1667, Belial speaks second in the council of Pandemonium, after Moloch and before Mammon, and what he proposes is to do nothing. Milton presents him as the fairest of the fallen, «a fairer person lost not Heaven», and adds in the same breath that he was false and hollow; his speech, elegant and reasonable, is a plea against returning to war, and the poet disarms it in a single line by saying that he counselled «ignoble ease and peaceful sloth, not peace». That is: exactly the opposite of a satanic warlord. That he should be painted as the general of the infernal armies or as the great rival of the archangel Michael comes from laying three traditions on top of one another that do not say the same thing. At Qumran he really does command, at the head of the sons of darkness. In the Goetia he commands nobody beyond his eighty legions, and the only thing he claims regarding Michael is to have fallen before him. And in Milton he commands nothing, because his whole argument is that commanding is a bad idea.
Qumran: where the word became a person
The step from adjective to person does not happen in the Hebrew Bible nor in the grimoires: it happens in the Judaean desert, between the second century BC and the first AD. In the manuscripts found in the caves of Qumran from 1947 onward, Belial is no longer a quality but a general. The War Scroll, preserved in the roll known as 1QM, names him eleven times and gives him an army: he is the prince of darkness who leads the sons of darkness against the sons of light in a battle of forty years, and facing him stands the prince of light, identified with Michael. There, and not in the Goetia, the opposition between the two is born. The Book of Jubilees names him twice, at 1:20 and 15:33, and the Testaments of the Twelve Patriarchs eleven times, always in the form Beliar, and in them he is simply the devil. It is worth stating where he does NOT appear, because the attribution is frequent and false: Belial does not figure in the Book of Enoch. The watchers who fall there are called Semyaza, Azazel and their company, and not one of them bears this name.
He fell first, and Solomon shut him in a vessel
The grimoires credit him with two statements about himself that are almost never quoted, and both are more interesting than the generic rivalry with Michael. The first is in the Ars Goetia and is put in his own mouth: he declares that he «fell first, and among the worthier and wiser sort, which went before Michael and other heavenly angels». He does not say he is Michael's rival: he says he stood above him, and was lost earlier. The second is Weyer's, who in 1577 describes him as created immediately after Lucifer, that is, the second being of creation. Weyer adds the episode that most modern compendia leave out: Solomon shut Belial and his companions in a glass vessel and buried it, and centuries later the Babylonians dug it up believing it held treasure, broke it, and let them out. It is a tale of curiosity punished, sister to Pandora's jar, and it explains why a king of hell is at large in a sixteenth-century handbook.
Also known as
Relics
Symbology
Element
Hellfire
Number
80
Color
Black
Animals
Horses of fire
Sigils:
Traits
Powers
Weaknesses
Behavioral
Resistances
Relations with other beings
Ally of
Rival of
Servant of
In the Atlas
Travel the beings’ world of origin and the cosmos of their dimensions.
Mythologies
Esoteric and Kabbalistic traditions within Judaism, encompassing Merkabah mysticism from the Talmudic era, 13th-century Zoharic Kabbalah, 16th-century Lurianic Kabbalah, the 18th-century Hasidic movement, and various meditative, contemplative, and visionary practices aimed at ascending through spiritual worlds, invoking divine names, and achieving mystical union with the divine while unraveling the secrets of the creative universe.
Sources
Pseudomonarchia Daemonum
Johann Weyer · 1577
Catalogue of sixty-nine demons included by Johann Weyer in his work "De praestigiis daemonum" (1577). It describes the infernal hierarchy, its ranks and offices, and is the direct precedent of the Ars Goetia and later Western demonology.
Ars Goetia
Anonymous · 1650
First section of the Lemegeton or Lesser Key of Solomon enumerating seventy-two demons.
Book of Jubilees
Attributed to Moses · 2nd cent. BC
The Book of Jubilees, a Jewish pseudepigraphal text (2nd century BCE), rewrites Genesis and Exodus, mentioning the Watchers and their leaders including references to Azazel as a corrupter teaching idolatry and fornication, reinforcing his role in Enochian tradition and justifying the Flood as punishment.
Dead Sea Scrolls
Essene community · 3rd century BC - 1st century AD
Qumran scrolls (3rd c. BCE - 1st c. CE), mention Belial as prince of darkness in the war between light and darkness.
Paradise Lost
John Milton · 1667
Epic poem by John Milton (1667) on the Fall of Man, which enumerates the fallen angels (among them Dagon) turned into pagan idols.
Testaments of the Twelve Patriarchs
Anonymous · 2nd-1st cent. BC
Intertestamental Jewish writing in which each of Jacob's twelve sons addresses a farewell discourse to his descendants. It names Beliar eleven times, always as the devil in person, and is one of the three works, along with the Dead Sea Scrolls and the Book of Jubilees, in which the Hebrew noun becomes a being.
Frequently asked questions
Is Belial another name for Satan?
It depends on the text, which is why it is better not to give a single answer. In the Testaments of the Twelve Patriarchs and in much of the Qumran literature, Beliar is simply the devil: the same office under another name. From the moment medieval demonology begins to organise hell as a court, however, Belial becomes a distinct and subordinate office, and in the Ars Goetia he is one among seventy-two spirits, with his number, his seal and his eighty legions. Milton does the same: there Satan presides and Belial is a councillor who offers an opinion. This encyclopedia treats them as separate beings because that is how the tradition that gave each of them an entry treats them, but the ancient identification is nobody's mistake: it is the earlier stage.
Why is he associated with lust if the grimoires do not mention it?
Because it comes from the Bible and not from the grimoires. The scene in Judges 19:22, where «men of Belial» surround a house and demand that the guest be handed over to them, is a passage of sexual violence, and it is the best remembered of all those that use the word. From that, and from 2 Corinthians setting him against Christ, the idea of a spirit who corrupts through desire gradually takes shape. The Ars Goetia and Weyer, by contrast, credit him with nothing of the sort: they give him senatorships, social favour and familiar spirits, that is, political power. The difference is worth noting, because it separates Belial from Asmodeus, who really is the demon of lust in Binsfeld's distribution and in almost everything else.
How many legions does he command, eighty or two hundred?
Eighty, and on this the two sources that describe him do not contradict each other: Weyer in 1577 writes that he «hath rule over eighty legions», and the Ars Goetia repeats the figure a century later. Two hundred is another spirit's number in the same list, not his. It is worth bearing in mind that these figures measure nothing: they are a stylistic feature of the genre, which orders the seventy-two spirits by giving each of them a courtly rank and a number of legions, in the same way a peerage roll gives titles and revenues. They serve to place each demon in the hierarchy relative to the others, not to calculate any army.
Where is his seal, and why does it matter?
In the Ars Goetia, and only there. Each of the seventy-two spirits carries a drawn sigil that the operator must engrave in metal and wear during the conjuration, and that plate is what in theory compels the spirit to appear and to speak truth. It matters because it marks the border between the two halves of this entry: in the ancient Jewish texts Belial is a cosmic force with which nobody negotiates, and in the Renaissance grimoires he is an official summoned with a seal, an hour and an offering. The seal is not a heraldic symbol nor an emblem he carries: it is the instrument of the one who calls him. The grimoires, for their part, attribute to him no object of his own except the chariot of fire in which he arrives.
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